Mamma Mia Here We Go Again Friday 27th

Does 'Mamma Mia! Here We Become Over again' Accept a Post-Credits Scene?

When all is said and done, you might want to stay until the terminal credit rolls

Universal

Like many a big-screen sequel, "Mamma Mia! Here Nosotros Become Again" rewards fans willing to stick through the bitter, bitter cease of the credits afterward the moving-picture show ends.

Yes, writer-manager Ol Parker's new picture musical — a sequel to 2008's hit "Mamma Mia!" — has a post-credits scene.

And while the brief vignette doesn't tease a 3rd installment in the franchise, a mash-up of classic ABBA songs with a convoluted soap operatic plot, it does provide a fun bonus scene that calls back to i of the new moving-picture show's biggest scene-stealers. (Spoiler alert: End reading now if you don't want to know the contents of the bonus scene.)

Also Read: 'Mamma Mia 2' Trailer: Watch Cher every bit Meryl Streep's Mom (Video)

At several points in the motion-picture show, both in flashbacks to 1979 and the nowadays day, we meet a quick-witted community officeholder (played by Iranian-British standup comic Omid Djalili) who stamps passports on a pier before characters board a ferry to the Greek isle where Meryl Streep's Donna — and later her daughter, Sophie (Amanda Seyfried) — brand a abode in an quondam farmhouse.

In the bonus scene, we first see Hugh Skinner'southward Harry, an aspiring banker-businessman (later played by Colin Firth) who met new higher graduate Donna (Lily James) in Paris and chased afterwards her following a i-nighttime romance.

"If she objects, have her give me a call," Djalili'southward unnamed community agent tells young Harry before breaking into a few lines of the chorus to ABBA'due south "Take a Gamble in Me."

He and so quickly breaks grapheme and convulses into laughter, joined by some unseen crew members.

Besides Read: ABBA to Reunite, Will Release Commencement New Songs in 35 Years

Harry is of class i of 3 men Donna (played past Meryl Streep in the original film) encountered that fateful summer in 1979 who could have been Sophie's father — the others existence Pierce Brosnan's Sam and Stellan Skarsgard's sailor Bill.

Christine Baranski, Julie Walters and Dominic Cooper also render for the new moving picture, whose predecessor was based on a phase musical that premiered in London's W End in 1999 and played on Broadway for more than a decade.

Jeremy Irvine plays the younger Sam and Josh Dylan plays the immature Bill, joined by fellow newcomers similar Andy Garcia and Cher (every bit Donna'due south long-estranged female parent).

"Mamma Mia! Here We Go Once more" opens on Fri.

For the record: A previous version of this story incorrectly listed co-star Julie Walter'south name.

12 Movies and Musicals to Watch After 'La La State' (Photos)

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  "How can you be a revolutionary when you're a traditionalist," asks John Legend in "La La Land." Damien Chazelle's moving-picture show is enamored with archetype movie musicals, mashing upwards references and wearing its influences on its sleeve. But it's also nearly how embracing the past can create innovation. Hither are some of the inspirations Chazelle has cited for "La La Land."

  Lionsgate
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  "The Umbrellas of Cherbourg" (1964)

  "La La State" is near closely an homage to this French musical from Jacques Demy. Catherine Deneuve stars equally a daughter separated from her lover by war. Chazelle has professed his dear for information technology numerous times, and you tin can see traces of it in his candy- colored set dressing and melancholy dirges.

  20th Century Play a trick on
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  "The Immature Girls of Rochefort" (1967)

  This Demy film also inspired Chazelle, who screened it for the entire team during production. The outdoor trip the light fantastic sequences and widescreen attribute ratio are modeled closely in "La La State."

  Warner Brothers/Vii Arts
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  "Singin' in the Pelting' (1952)

  This is where it all begins. Merely well-nigh every musical today owes something to Gene Kelly and Stanley Donen's masterpiece. "La La State" emulates its colors, its surreal dream sequence shot on sound stages, in the finale -- and in its cheeky satire. Like "La La Land," "Singin' in the Rain" pays respect to a lost era.

  MGM
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  "An American in Paris" (1951)

  Gene Kelly plays a dirt-broke artist trying to find work in Paris forth with his ii friends, a cabaret vocalizer and a would-be concert pianist. Their ambitions and joie de vivre in spite of hardships are similar to those of struggling millennials Mia and Sebastian.

  MGM
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  "The Band Wagon" (1953)

  Fred Astaire dances with Cyd Charisse as he poses every bit a slick, individual middle in the "Girl Chase Ballet" sequence of "The Band Carriage." The scene within an-all pinkish saloon is i Chazelle refers to every bit a "dream ballet," ane he idea of in trying to reach "wild, artistic risk-taking combined with real, mass audience" entertainment.

  MGM
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  "Whiplash" (2014)

  Chazelle earned praise and Oscar nominations for this jazzy movie near farthermost drive. The success of "Whiplash" helped get "La La Land" off the basis. You can run across similar visual flair in both films, specially in the aggressive editing in places. And both films finish with wordless, musical climaxes.

  Sony Pictures Classics
• RKO Radio Pictures
• Embassy Pictures
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  "It's Always Fair Atmospheric condition" (1955)

  "La La Land" isn't all rainbow colors and pure joy. Information technology's also somber and mournful at times. This Gene Kelly and Cyd Charisse production tones down the screwball energy of "Singin' in the Rain," telling the story of three soldiers who reconnect afterwards 10 years to find they no longer take much in common.

  MGM
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  "Guy and Madeline on a Park Demote" (2009)

  Chazelle's first film, a black-and-white indie steeped in the jazz historic period, borrows equally much from Jean-Luc Godard as it does "The Umbrellas of Cherbourg." Information technology has tap dancing and romance, and "La La Land" composer Justin Hurwitz composed the score and original songs.

  Variance Films
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  "Boogie Nights" (1997)

  Paul Thomas Anderson's pornography opus may exist an odd point of reference for Chazelle'due south blissful musical romance, only Chazelle admired the film's period- piece nostalgia and used the film, along with noirs like "Dusk Boulevard" and "The Bad and the Beautiful," as a template for characterizing LA and California.

  New Line Cinema
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  "Rebel Without a Crusade" (1955)

  At one signal, Ryan Gosling and Emma Stone's picket James Dean in "Rebel Without a Cause" and trek up to Griffith Observatory for a lovely, loftier-flying trip the light fantastic toe number within the planetarium. "Rebel Without a Crusade" is ane of the most famous films shot in CinemaScope, which Chazelle besides used.

  Warner Bros.

"The Umbrellas of Cherbourg" and "Singin' in the Rain" are amidst Damien Chazelle'due south inspirations

"How can yous exist a revolutionary when yous're a traditionalist," asks John Legend in "La La Land." Damien Chazelle's film is enamored with classic movie musicals, mashing up references and wearing its influences on its sleeve. Only it's also about how embracing the past can create innovation. Here are some of the inspirations Chazelle has cited for "La La Land."

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Source: https://www.thewrap.com/mamma-mia-here-we-go-again-has-post-credits-scene-meryl-streep-cher-colin-firth/

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